25 Masterworks – Camera Obscura: My Maudlin Career
My Spin on Masterworks: 3 of 25
My Maudlin Career
In ‘French Navy’, Glaswegian quintet Camera Obscura composed one of the most delightful pop songs of the noughties. It’s infectiously giddy with excitement, stirred into a controlled fever of strings which skip around the song’s indie-pop chassis with increasing zest. “I wanted to control it / But love, I couldn’t hold it,” Tracyanne Campbell calls, as her rapidly-fluttering heart is mimicked by the whirlwind of violins which punctuates every line of the refrain. Rarely does music sound so thrillingly effervescent without throwing in the whole kitchen sink.
‘French Navy’ tees up My Maudlin Career something wonderful, instantly ushering listeners into the sumptuous domain of Camera Obscura’s fourth album: a real treasure trove of golden harmonies, intimate theatricalities, and earworms galore. A little less lo-fi (and organ-bedecked) than 2006’s Let’s Get Out of This Country, here the group’s identity feels more assured than before: the production crisper, the songwriting sharper. In the intervening years between both albums, Campbell’s voice ripened into an even more sinuous croon, exhibiting a burgeoning artistic maturity, which is nicely counterbalanced by the supple naivety which runs through her perspectives as a lyricist. Likewise, her fellow bandmates invest their performances with fresh life, keeping proceedings breezy and free of clutter.
One of the major secrets to Camera Obscura’s success is their relative modesty. Even the orchestral flourishes which fan across several of this album’s highlights refrain from toppling into blustery frenzies. The excitements and pangs swirled around here are tastefully executed, remaining breezy and light-of-step, thereby allowing all eleven songs to unfold in a well-paced sequence which never sags. By restraining from flat-out exultancy all the way through, My Maudlin Career feels consistently vibrant: even the novelistic romance of ‘French Navy’ is tempered by allusions to dietary restrictions and disappointed looks. At the other end of the album, the big, brassy ‘Honey in the Sun’ serves up the brashest five minutes of the record, yet even the swooning trumpet crescendos feel earned, rather than overwrought.
That’s not to say that the album buries its finer attributes. Quite the contrary: these songs are about as far from inaccessible as seems possible. Check out the marriage of swooping guitar with twinkling glockenspiel in ‘Swans’, the delicacy of centrepiece ‘James’, and the penultimate fragility of ‘Other Towns and Cities’. ‘Careless Love’ is nicely spacious, nuzzled by a repeated string motif which eventually blossoms into a ballroom-baiting treat for the ears. Perhaps best of all is the title track, which sets itself apart with curtains of towering keys, crowned by a weeping guitar solo and Campbell’s finest moment on the album, delivered with grace and restraint: “This maudlin career must come to an end / I don’t wanna be sad again.” From the openness of that statement, and the gentle ache which clings tightly to her performance, it’s easy to see why the album has that particular title.
Campbell may not be an outstanding lyricist: her couplets are lovely but mostly kept simple; familiar themes and endearments which can be plucked from memory without much fuss. However, her presence is utterly indelible, given that such heart-on-sleeve recountings are twinned with her utterly magical vocal tones. Her breathy, personable voice rings with earnestness, imbuing every one of her sentiments with a disarming sincerity. For all the sumptuousness of the arrangements on My Maudlin Career, it’s the presence of Campbell herself which keeps replay value so high.
“You challenged me to write a love song / Here it is; I think I got it wrong,” Campbell sheepishly proffers during the final verse of ‘The Sweetest Thing’. Such self-deprecation is charmingly dispensed throughout the record as she examines her own relationship follies, but in reality, such a self-assessment is way off: every single one of these songs is captivating. The band members would go on to tighten their instrumentation and toughen their skins for 2013’s excellent Desire Lines; an equally charming offering with more than its share of earworms and riches. But it’s My Maudlin Career which presents Camera Obscura in excelsis: every moment here is heartfelt, relatable, and filled with light and warmth.My Maudlin Career 1 – French Navy 2 – The Sweetest Thing 3 – You Told a Lie 4 – Away with Murder 5 – Swans 6 – James 7 – Careless Love 8 – My Maudlin Career 9 – Forests and Sands 10 – Other Towns and Cities 11 – Honey in the Sun
Posted on February 15, 2014, in 25 Masterworks, The Music World and tagged 25 Masterworks, 4AD, Bjorn Yttling, Camera Obscura, Desire Lines, French Navy, Honey in the Sun, Kenny McKeeve, My Maudlin Career, The Sweetest Thing, Tracyanne Campbell. Bookmark the permalink. 1 Comment.